he tulle acts as a veil and a binding agent ,, a subtle but strong act in order to soften the pain of loss ,, while also holding it in place. To be soft enough to mourn but strong enough to contain what cannot be said. The exposed areas become points of rupture ~ small moments where the wound becomes visible, refusing to stay hidden beneath the fabric.
The surface becomes a site of emotional navigation.
ABOUT
My practice is rooted in the belief that art is both personal and collective
an open invitation to create, connect, and question.
I’m drawn to experimental work because it dismantles the gatekeeping of
traditional art, prioritizing intentionality, vulnerability, and truth over prestige.
For me, ‘great’ art doesn’t just impress, it makes you want to create.
My practice reflects that: bending labels, testing boundaries, and letting meaning evolve over time.
It’s about connection, conversation, and exploring the worlds hidden behind the surface of things.
I see creation as fluid and ongoing
art is never truly “finished,” only evolving
in meaning through reflection and interaction.
I aim to work beyond labels and one-dimensional
definitions of success, exploring art as a tool for
emotional connection and personal growth
Han Cooley
MODELING WORK
TEXTILE&FASHION DESIGN
MULTI-MEDIA PORTFOLIO
Over time, patience has become the biggest lesson in my practice.
For me, ‘creation’ ‘creativity’ ‘’conception’ is never a finished state.
Art is not a route towards final resolution, but is an ongoing process of translation.
Making is both personal and collective.
Surfaces can absorb what we feel, so how can a gesture become a quiet ritual?
We must not attempt to erase our history, but learn how to carry it with care.
Ultimately I seek to create spaces where the past is not erased, but transformed into something newly alive.
ACADEMIC WRITINGS
MITODO.ORG